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Music & Lyrics by Stephen Sondheim Book by Hugh Wheeler From an Adaptation by Christopher Bond |
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| Sweeney Todd | Ralph Thomas |
| Nellie Lovett | Janet Holloway |
| Anthony Hope | Rick Thomas |
| Johanna | Rhiannon Rose |
| Judge Turpin | Laurence Clarke |
| Beadle Bamford | Paul Buckle |
| Beggar Woman | Lorna Welch |
| Pirelli | Tim Brown |
| Tobias | Richard Thomas |
| Fogg | Nigel Holloway |
| Birdseller | Helen Windsor |
| With | Claire Couldridge, Ellie Hoare, Liz Howson, Cheryl Payne, Bev Pearce, Adam Pitt, Helen Rose, Lisa Sadie, Fiona Thomas, Roger Thomas & Sarah-Jane Waters, |
Production |
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| Director | Ruairidh MacLeod-Lyon |
| Musical Director | Jo Herco |
| Assistant Musical Director | Nicky Rose |
| Production | Paul Buckle, Catherine Dafydd, Nigel Holloway, Janet Holloway, Ruairidh MacLeod-Lyon, Lisa Sadie & Fiona Thomas |
| Choreographer | Richard Thomas |
| Publicity | Lisa Sadie, Paul Buckle & Nigel Holloway |
| Set & Props | Ruairidh Macleod-Lyon, Paul Buckle & Ralph Thomas |
| Wardrobe | Leigh Tomala, Lisa Sadie, Janet Holloway |
| Lighting | Clare Williams, Kevin Morgan & Catherine Dafydd |
| Sound | Laura McMahon |
| Wardrobe Mistress | Catherine Dafydd |
| Costume Design & Construction | Fiona Thomas, Lisa Sadie, Ciara Charnley, Paul Buckle & Janet Holloway |
| Stage Manager | Liz Tomala |
| Backstage | John Payne, Lynda Quinlan and Friends of Concept |
| Band | Nicky Rose, Mike Sunderland, Dave Thompson |
 Production
Notes |
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Synopsis
Victorian London: The Ballad of Sweeney Todd sets the scene for the awful tale about to unfold. Down at the docks, two men disembark and greet their native city. For Anthony, There's No Place Like London. Sweeney Todd echoes the sentiment but for different reasons: to him London is a hell hole.
Todd journeys to Fleet Street and Mrs. Lovett's shop, wherein are sold The Worst Pies In London. There are lodgings above, with a dark history: there was a gentlemanly barber who worked and lived there with a young daughter and a pretty wife who attracted the attentions of a corrupt Judge and his Beadle. They had the barber unjustly transported, lured his sweet, naive wife to the Judge's house, where she was raped and her child taken from her. The barber was never seen again, the wife took poison, but the girl Johanna still lives with the Judge. Mrs. Lovett, no fool, returns the tools of his trade, carefully kept by her since his conviction. My Friends, murmurs Todd, caressing his razors. He takes the lodgings.
Outside Judge Turpin's house, a Birdseller's Green Finch and Linnet Bird are serenaded by another helpless caged creature from the highest window in the house: the beautiful Johanna. Anthony spies her from afar and falls helplessly in love. The Judge has different ideas.
A rival barber, Pirelli, demonstrates the remarkable properties of his Miracle Elixir - Todd challenges Pirellis to a shaving competition. Business subsequently booms for Todd but, obsessed, he awaits only the Beadle's custom. Wait, Mrs. Lovett advises: vengeance will be his. By the end of the first Act Todd has an Epiphany, vowing revenge on all humanity; Mrs. Lovett, practical as always, hatches a devilish plan…
Act II begins with Mrs. Lovett's distinctive pies being the talk of Fleet Street. God, That's Good, belch her patrons. With such a harmonious business partnership, she is keen to put relations with Mr. Todd on a more intimate footing but Todd's mind has been twisted by hate and he thinks only of Judge Turpin and Johanna, now incarcerated in Fogg’s madhouse.
Mrs. Lovett's new help, Tobias, is fearful of Todd, but no-one will harm her, he promises. Suspicious that he suspects something, she locks him in the bake-house. Meanwhile, Beadle Bamford arrives and the wheels of fate are notched up a gear as a series of events race to the gruesome finale